The latest I SURVIVED graphic novel is now in bookstores! Script adaptor Georgia Ball talks about the process, the artwork and the historical research that goes into creating another fantastic read for kids. Also: Should comics use thought balloons and why did they disappear in the first place?
Comic sites are reporting two Disney is permanently banning the publication of two Don Rosa stories, probably because of Carl Barks characters no longer considered acceptable to see in print. Does pretending history didn’t happen really solve the problem?
Comic news websites are looking for funding after years of using their platforms to target people over personal agendas. Maybe if comics journalists are looking for donations they could do a story on why the indie comic I bought had a “burn if not sold” requirement.
Spoilers! What can we learn about making a graphic novel from Tatsuki Fujimoto’s quiet and retrospective standalone manga?
We look back at the Sandman comics and compare them to the Netflix show. Does the Black Label series from the 90s hold up? And is it more or less relevant than its current adaptation?
The new graphic novel based on Lauren Tarshis’ chapter book comes out this October. Adapter Georgia Ball talks about writing the script and learning the history with advice from the subject matter expert. Scott Ball discusses the dynamic artwork by artist Alvin Epps and colorist Chi Ngo.
We sat down with writer Aaron Sparrow to talk about the highs and lows of the Boba Fett Star Wars series on Disney Plus.
The process of making the MLP FF issue that magically turned into a Spiderman comic on upload.
What was it like to bring Lauren Tarshis’ first I Survived novel from prose to comic?
When down-and-out mercenaries Tawni and Dudu arrive in a town of misfits and cranks, Folliham will never be the same.